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REDLINE The REDLINE amplifier rack interface system is simple and straightforward and also a far more elegant tool than anything you can buy off the shelf. REDLINE FRONT OF HOUSE DRIVE
This unit provides 15 lines in to the drive rack and 15 return lines. A second 1RU chassis adds up to 30 additional return lines. This system can distribute both balanced analog audio as well as AES digital audio. REDLINE PA RACK DRIVE INTERFACE
On the rear of the chassis are 15 male XLRs tapping the drive lines. Three independent lines (A-B-C) both male and female XLR provide front panel access to any three channels in the driveline. These can also provide front panel inputs to the amplifiers that are independent of the multi-cable. Good luck finding this at the store. REDLINE PLM RACK SPEAKER INTERFACE
For a flexible and field-serviceable system, we use Phoenix G series solder-less contact blocks for the internal wiring between the amplifiers and the front panel connectors. Something no commercial manufacturer offers.
REDLINE D&B D-12 RACK INTERFACE
The REDLINE d&b speaker interface provides both the NL8 and the NL4 output A and B connectors from each amp to accommodate the unique switching capabilities of the d&b D12 amplifier required to power the broad line of d&b speaker cabinets. There is also a 19 pin LK/Socapex connector for direct fly-cable connection of all three amplifiers in the rack.
REDLINE MONITOR AMP RACK SIGNAL INTERFACE
The inputs of up to 8 bi-amp powered mixes can be accessed from the front of the rack using either the AMP G2 multi-connector input or the front panel XLRs. All the inputs run through high-level ISO transformers of our own design. The transformers provide DC and RF protection for the amps in addition to their main function: ground isolation. Ground isolation on the front-end of the monitor amps prevents a ground loop between consoles and amp racks, the most common cause of noise on stage. Our monitor systems are so quiet that more than one engineer has commented: Im used to a little buzz on stage, most systems have it, but your stage monitors are so quiet that I keep checking them with the talkback to make sure that they are actually turned on. Its freaky.
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A 1RU chassis with two 15 pair AMP G2 multi-connectors on the front and two 15 pair XLR fan-outs on the rear.
A 1RU chassis in each PA/Sub amp rack allows easy distribution of signal lines from FOH into the amplifiers.
The REDLINE PLM speaker interface provides a 3-way line-array friendly NL8 circuit (Low1, Low2, Mid, High) and two NL4 circuits representing the outputs of each of the three PLM or FP10000 amplifiers. Each amplifier and its wiring are independent of the others so the use of the rack can be mixed.
